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Her music is intensely personal and packed full with wit and punchy metaphors, paired often with bouncy, animated beats that inspire bodily movement. Rico Nasty is a young, spitfire rapper hailing from Brooklyn. Rico Nasty, 'Nasty' Rico Nasty's "Nasty." (Courtesy) We’ve picked our top album covers that make it clear the medium isn't a thing of the past. “It’s just that the delivery systems have changed.”Ī number of hip-hop albums dropped in 2018 that epitomize this continued dedication to using visuals to heighten the auditory experience of music. “I think cover art is still essential,” Ball said.
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“And how to use art in different, innovative ways.” With the development of technology has come the transformation of art and how its employed artists are now able to create emotive pieces that recall our past and look toward our future.
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“Artists are now trying to figure out ways to crack this new way of consuming music,” Ball pointed out. So while the album-buying experience has admittedly moved from an in person interaction to an online one, that doesn’t necessarily mean cover art is a thing of the past. Fans could then use the app to interact with the album's cover art, extending their engagement with the project.
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Massachusetts native Statik Selektah used a computer code that moved and changed colors for the cover of his album "Extended Play." Hip-hop duo Run The Jewels released their 2017 album "RTJ3" in tandem with an augmented reality app. "We see hip-hop artists really leading the wave when it comes to inventiveness," Ball said. But cover art has lived on and grown in the hip-hop industry as another vital avenue for visual self expression. Hip-hop artists in particular have used album art to make a statement and contextualize their legacy, from Method Man channeling Funkadelic’s “Maggot Brain” for the cover of his 1994 “Dare Iz A Darkside” to A$AP Rocky’s “Testing” paying homage to N.W.A.’s “Straight Outta Compton.”Īs the music industry catapults into the digital age, album art was at risk of becoming a relic of our more physical past. “It was a secondary part of the album and sometimes, it was a secondary way to identify an album.” Valentino Ball, a hip-hop journalist and founder of the local music platform, KillerBoomBox. “Part of the record-buying experience was going to the store and having something tactile in your hands,” said G. It was paramount to getting eyes and interest locked in on a project. From the popular gatefold covers that were all the rage in the 1960s to the more sleek and compact images gleaming from underneath the plastic of a CD case, art has historically played a crucial role in both the marketing and the collectible nature of music. But it brings up the discussion of the visual medium's place in a changing musical world. Has the use of cover art by musicians changed over the years?Īlbum covers used to be the first thing you saw when looking at an album in the store. “Am I the only one who really care about cover art?” That's clearly not the case. Lil Yachty posed a great question during his lines on Chance The Rapper’s “Mixtape” a couple years ago. In the hospital, Jim learns that a young man was injured, and a teenaged girl died.Twitter facebook Email This article is more than 3 years old. As he reaches for a bottle of booze under the seat, he slams into an oncoming car. But Jim loses track of time, (and the number of beers he’s had), and proceeds to get behind the wheel of his car, where he hopes to speed back in time to see Julie off on her big night. He tells his friend Lou that he can’t stay at the bar long tonight, because his daughter Julie is turning 16 that very day, and going out on her first date. "Julie’s Sixteenth Birthday tells the story of Jim, a guy who hangs out in bars, and enjoys a drink, or two, a little more than he should. Instead the album has been singled out as the best of the worst – not for Bult’s singing abilities, but for its unfortunate cover art." "His one and only LP, Julie’s Sixteenth Birthday should have been his calling card to country music stardom.
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John Bult John Bult - Julie's Sixteenth Birthdayĭiscogs tells the story of this album best:
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